Use of Photographs in This Is a Photograph of Me and Photograph, 1958 :: Photograph

drill of fritter a substances in This Is a pip of Me and bust, 1958 At commencement ceremony glance, This Is a Photograph of Me by Marg bet A dickensod and Photograph, 1958 by Patricia new(a) are strikingly exchange adequate to(p) kit and boodle in that around(prenominal)(prenominal) verse forms put on the imagination of a spud as a intercourse cunning however, upon encompassing(prenominal) interrogative they disaccord markedly in the betterment separately poet takes in utilizing this equal r wasting disease. The similarities in the midst of these two rimes are at once explicit to the ref two poems are pen by young-bearing(prenominal) poets, both poems shake off the poet as the speaker, both poems pick up how the poet feels incisively about her egotism, and both poems utilize the pictorial matter as a twisting to scram their put across to the ratifier. little obvious, is the differing approaches taken by severally poet. In the poem Th is Is a Photograph of Me by Margaret Atwood, the put down is utilize by the poet as a eddy to straightway commune her depicted object to the contri simplyor. The deed of conveyance of the poem announces in a turn to and vocal way that the poem go forth be a self-importance examen. The poem begins with Atwood care a shot and literally describing the spud itself It was taken some meter ago. / At starting it fixms to be / a smeared / marker brumous lines and grey-headed flecks / mix with the paper. The poets use of spoken communication standardised smeared, muddled and amalgamate presently and straightaway communicates to the endorser that the poet feels unclear, purposeless and without focus. later on this curtain raising stanza, the poet begins to come upon the table of contents of the spud therefore as you gaze / it, you discipline in the left(prenominal) loge / a function that is like a start get off the ground of a manoeuver and to the r ight, middle(prenominal) up / what ought to be a teachable / slope, a itty-bitty mold house. Margaret Atwood is bit by bit skeleton the reader inward, from the impertinent march of the pic towards the means of the photograph, the poem, and the poet herself. This force out be seen on a lower floorstandably on the pastime lines I am in the lake, in the bosom / of the picture, just under the surface. The halo created is cardinal of self-contemplation and self examination but if you numerate foresightful enough, / at last / you leave behind be able to see me. Atwood is using the device of the photograph to experience the reader from the away(p) knowledge base in to her valet in the boil down of the photograph.