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Sunday, February 9, 2014

The Curse of Macbeth and Other Theatrical Superstitions

**This essay was inspired by another essay I wrote for academic grading The Supernatural in and Surrounding MacbethIt is a long time fact that the folks that grace the stage and the houses argon a superstitious bunch. The bigotrys held by these people may seem bizarre to outsiders, notwithstanding to those in the intricate submit of the field of honor, they ar serious offences and measures must be made to keep back disasters. All theatrical superstitious notions (and many superstitions in general) are give on ?the principle of luck.? Many superstitions pitch a root in religious beliefs, such as the superstition that equatorial cross buns are lucky due to their magic powers. However, theatrical superstitions are conception to be completely moody and micturate no religious roots, but the most probable explanations for some superstitions go back to a fear of Satan. ramify it is difficult to trace the history and background of superstitions, there are seve ral theatrical themed ones that do in fact have basis, even if most people don?t notice about them. It is commonly believed that whistling in a theatre is bad luck. Not only does this apply to the stage and auditorium area, but also the backstage, the dressing rooms and everywhere in the building. In the dressing room, if one whistles, it means that someone bequeath be out of work. It is not necessarily the whistler, but whoever is closest to the door. This superstition has many believable roots. There is a Cornish verbalism that goes ?whistle and I?ll come to you.? This is in reference to the Devil. It is belief that by whistling in a theatre you go forth summon the Devil, the ultimate evil. Another possible root, and a to a greater extent plausible one, is that in the 18th century, theatres often hired seamen to be stage hands and the... If you want to proceed a liberal essay, order it on our website: OrderCustomPaper.com

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